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She tiptoed softly in to Elinor, who was sleeping quietly, and she stood looking down at the sweep of eyelash and rounded cheek that the low-turned light caught out from the jumbled masses of dark hair.,

"And what about me?" said David. "You forget that I am a third player. Come, Etwald, you have prophesied about Maurice; now read my fate.",

"We've had enough ups and downs, I am sure," said Elinor vaguely. It was evident that her mind was not on either their varied past nor even the fascinating present, but was busy with a future of progress and achievement.,

"No, sir, not till to-day. I don't know what it all means, sir, but I'm sure I know how Dido got into the room."

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For a whole week after the events already related, nothing new took place likely to alter the situation. Maurice and David remained coldly polite, and very watchful of one another; neither mentioned the name of Isabella, nor did the one or the other see the girl. Mrs. Dallas took care of that. Acting, no doubt, under the advice of Dido (for she had no will of her own), she kept Isabella within doors, and refused to allow her to communicate with Maurice. But, on the other hand, she did not force her to see David; and Isabella was thankful for the consideration.,

So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic.,

"Ho, dat one big lie. Der ain't de debble-stick but in de king's palace at Kumassi.",

"There isn't any more goodness in dismal looks, no, nor half so much, as in happy faces. Don't the cherubim sing eternally? Is there anything said about dark days in the New Jerusalem? I'm ashamed of you, Judith Kendall, for not knowing that it's twice as brave and good to be cheerful and pretty as it is to be moping and dull. Look at Elinor—would we love her if she'd been fussing about the hard times we had? Not much! Every bright smile she had for those horrid times has made her more adorable to me and I look on every bit of happiness we had in those poor days as just so much wrested from the powers of darkness." She stopped suddenly, with a little gasp of embarrassment, as Elinor entered.